The idea has been around for years in the "other" forum but I've never gotten it to work and the users writing in that thread are not present anymore so I want to blow life into this question again or get to the bottom of this, since this method is said to provide the best keytracking (and is seems logical).
The idea:
1. You have to be in stackmode so you can trigger both Layer A and B with the same key.
2. Patch Layer B's left output into CV-IN and Layer B's Right output into "space" (leave it hanging to get rid of Layer B being mixed through the normal output)
3. On Layer A, use a Mod slot with CV In as Source (Breath or Expression, don't remember which right now) and OSC 1 FREQ as Destination
4. On Layer B, mess around with the VCA volume and different frequencies since the CV-IN is "heavily filtetred" until you get the desired modulation.
My trial:
I know the Mod slot with CV-In works because I've plugged external gear into it. Korg MS10's LFO (called MG, Modulation Generator) output is a 5 volt output and I've had no problem getting that to control the OSC1 FREQ on the Prophet '08.
I've used all sorts of settings and wave forms on Layer B but never gotten any effect on Layer A with this method.
I asked the DSI support and got this reply Aug 14 2015
Thanks for contacting us here at DSI. Reading through the thread (rem: he is referring to the other forum I linked to in my question), I tested out a Prophet 08 here in the office and can confirm that I could NOT replicate the FM process (layering method from the Output B into the CV port).
...
If you do find an alternate way of doing this, please let me know and if you have any other questions, feel free to ask.
So this obviously seems like an urban legend to me now...
Does anyone have any proof this works, like a patch to download and deeper knowledge on what you have to do on Layer B to do this. Or, can this method be killed off as a hoax?