That makes perfect sense now. I get it.
I realize that Tom wanted to produce a nearly identical re-issue of his old favorite synthesizer, the Two Voice. But since we've been critical of the re-issue trend, I'll say that I wish the instrument were the same as the original, except that it had a four-octave keyboard. Now that would have been a behemoth of a mono synth that I could appreciate. That's why some of us are, over and over again, left wringing our hands with frustration. Synthesizers are so seldom outfitted with the essentials required for making large scale musical pieces. Instead, we have to patch together a bit of this and a bit of that. So, I'm imaging something like a Prophet-6 with two SEM or Odyssey Modules. It's great that such combinations are now possible, but it would be much easier, again, if we could have it all under the hood. In a word, ARP 2600.