That's pretty generous of you to share your work like that. I can relate to how much work and focus it takes to do that. I have a BCF and a BCR that I programmed to control my Micron's parameters. Sweeping through its various filters and enjoying the different flavors was really enhanced using the faders. Especially fun with held chords and bass notes was this trick of setting a fader to scroll quickly back and forth through the various filter types, using 2 other faders on cutoff and resonance. It sounded like classic filter envelope sample and hold, but the flavor changed with each type. The sweet spot was sweeping it through 2 pole Oberheim, 3 pole tb-303, moog ladder, arp 4 pole..... or through the multiple comb and formant filters.
A suggestion -- you can cover those missing 8 encoders for those last 8 steps easily. Just use the next preset, sort of like a page 2 of parameters. It's no big deal paging to the next preset to tweak a few parameters, then page back to the main preset for the bulk of your sequencer work. If not, it's all good too, because something is better than nothing.