I'm only staying on the off-topic Richard Devine topic because the original poster engaged with it.
I was previously unfamiliar with his work, but I like Devine's experimental nature. There are times when he's clearly coming from more of a DJ tradition, with conventional tonalism and EDM beats, and I get a bit bored by that; but he's at his best when he's working with generative patches. I don't think he's got the mastery of timbre that Subotnick has. And I prefer to see music done with small systems rather than enormous systems. It's harder, but not impossible, to do generative patching with small systems. But overall, there's stuff I can enjoy and learn from.