Hahaha I totally forgot I made this post
Yeah, these are all fair points. I forget exactly where I was reading that the direction of the saw wave impacts its timbral characteristics. Maybe it was Don Solaris' spectrographic analysis of the Nord Lead 2X vs the Nord Lead 3, and he found that the saw stuff was one of the two elements that impacted the differences in their sound (the other being, as you all noted, the filter and other core elements)
To the user who commented about the Virus Hypersaw vs the JP SuperSaw, someone else did some in-depth analyses, and I think even some Access documentation notes that the Virus sounds duller/darker than other VAs of the same era, because the oscillators are intentionally lo-passed very slightly to make it sound more "classically analog". It's the oscs themselves on the TI(2) though, not any other part of the synth architecture, as I can run my Rev2 and NL2X through the Virus FX and filters, and have no loss in fidelity or brightness from those synths. One can compensate for the loss of high end on Virus oscs by adding some EQ boosting to the top end to try and level it back out, but, it's generally easier to start from a clear sound than to take a darker sound and force it to be clear
Not that I'm complaining, mind you. TI2's superb for dreamy pads and expansive sounds - and its FX make great-sounding synths like the Rev2 and NL2X even more amazing, with the Rate Reducer, Chorus, etc. And don't even get me started on what Virus TI2 reverb does to a big JP Supersaw *chef's kiss*
I'll see if I can find the source I found for what different types of saws do when used in proper sounds. I *think* it was somewhere authoritative, but I'll have to check