« Reply #3 on: December 31, 2022, 04:09:59 AM »
...I’m pretty sure stereo filter was one of many things discussed during the development of the OB-X8 and that there were other reasons than economy that made Tom Oberheim, Marcus Ryle and Dave Smith to keep mono filter in the architecture of the OB-X8.
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One of the design dilemmas that I'm sure they faced is the fact that the primary market for the OB-X8 consists of folks who want the original OB-X and OB-Xa sound, but without the price or maintenance hassle of a vintage instrument. While the idea of improvements and modern features sounds good at first, choosing those improvements carefully is a slippery slope. Too many new features that differ from the original, and next thing you know Youtube would be full of sound demos that don't sound faithful to the original products, and then the targeted market for the product has been undermined.
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