Thanks Sacred Synthesis. The PEK seems well-suited for plucky strings. Actually, come to think of it, those are my favorite patches to make.
Don't know if I'll ever really get it perfect, but I want to make a realistic harp (like the big concert hall type). I've done some import of waveforms from actual instrument samples, but there's that certain "resonance" a harp emits from the wood body that's just hard to duplicate from too-short a waveform snipet. Closest I got thus far was with the PEK and just playing around with the various waveforms by ear. Same struggle for me exists with acoustic piano. From a variety of synths, I've had some luck with the Nord Lead 4 since it has on-board wave forms for piano- and that's sort of Nord's bag anyway. Recently I got some purchase patches for the Summit that have piano, grand piano. Not bad, but not really perfect either.