Ah, it's all coming back to me now, like a déjà-vu...
Another important bug in my case, which I had only a vague memory of, is this second sequencer bug reported by creativespiral. This post may not bring very much constructive to the table, but one potential idea perhaps. Which is this:
Could it be worth taking a look at the P'08 OS in this case, to see how it handled that functionality? (Remember, I'm not a programmer, just an idea) Because I know for a fact, that neither of the sequencer bugs were present on the P'08, and it "just worked"... flawlessly. So perhaps the solution could lie within the P'08 OS?
Sidenote, going OT:
I remember now, how I used to use the P'08, first in KeyStep mode, slaved to an external midi arp/sequencer, triggering the voices at various rhythmic intervals with LFO-keysync on (some of the LFOs MIDI-synced to some rhytmic interval as well), then turning keysync off for that LFO (so the LFO phase was independent for each voice), so that LFO was free-running for each voice, while still rhythmically "coherent". Then the same method applied to the next LFO (with different rhythms/syncopations), and then the next, and the next, in succession...
After having done that, I stopped the external arp, and switched the gated sequencers to No Reset. Then I triggered the voices with the arp again (or did I, maybe they were already free running by then?
), at different rhythmic intervals. (I don't remember if I set the clock to internal first, or when, or if at all, did I still slave it to midi clock...?) So then I had all these voices running independently, while in sync with eachother (but not in phase, rhythmically), with the weird quasi-generative rhythm patterns I had generated with the sequencers. So all note events (not MIDI note events) were ON the "beat" or on a syncopation of it, ie on a rhythmical interval. And it all just flowed seamlessly...
I did this in stacked mode, one layer at a time, and one LFO at a time... so it took some time, not only the patch programming, but also just setting it up to play/run. With the No Reset mode, I could transpose the voices however I liked, without having to worry about timing issues, as the sequencers just kept running at the point they were in at that moment.
So ie BOTH of these sequencer bugs are what killed my work, when I switched over to the Rev2.
Edit - OK so with the Poly Sequencer, for example, I have a sequence on Track 1 of 12 steps. How do I change this to a sequence of 8 steps? I can't work out how I should do this. If I enter rests on steps 9 to 12 I get the rests which is not what I want. I don't think you can specify the length of the sequence either. I don't find the sequencer very intuitive to use to be honest.
Yes, I remember that as well. If you accidentally put in one note too many, you have to start over. Not an important thing for me personally, as I probably won't be using it, I think I only tried using the Poly Sequencer when I couldn't work with the gated ones, but quickly abandoned that. I found it very hard to work with.
I'm guessing this Poly Sequencer eats up a whole lot of code...? Again, I'm not a programmer, but looking at all the NRPN's for the Poly-S... from #192-1043, whereas the rest of the parameters are #0-187 (including the gated sequencers) and that's for EACH layer.
There are plenty of similar software, and some hardware, sequencers, and many use a DAW for the purpose. It's probably the ONLY added feature (compared to P'08) on the Rev2 that I saw no real need for upon its release. I still don't. The gated sequencers were something else though, really special and just marvellous. They REALLY set the P'08 apart from anything else. Which is why it's such a HUGE loss to me, personally.