I just purchased an OB6 and I'm putting it through its paces.
I was hoping someone could help me out with a potential issue (or - more likely - just a feature of the particular patch).
Patch 878 on my board is exhibiting some odd behavior - the sub bass is dropping out every three notes. So basically the sub bass sounds for 3 consecutive notes, then drops out for 3 consecutive notes, then comes back in for 3 consecutive notes, etc etc. The end result is a patch that sounds kind of odd (basically it sounds like you're shifting between octaves when you're playing).
Does anyone else hear this on their patch 878? (Is this normal?)
I'm guessing I'm being paranoid here (I don't think the sub drops out anywhere but this patch), but obviously it was a significant purchase so I'm being extra careful
No, you're not being paranoid. I got it on patch 260/760 nylon non-guitar. It sounded like a 12 string on 2 notes and that was cute until the sound started popping in an ugly way.
My OB-6 suboscillator drops out for 4 notes in SYNC mode on some patches. Sometimes the two times it fires off, one of those times it makes a weird noise. Here:
Ugly in my view on a £2200 synth.
https://www.youtube.com/watch?v=3e-x6VL7BWMSequential OB-6 sub oscillator behaves strangely in SYNC mode.
Patch 760 / 260.
Trouble is, it sounds like a fault and is aggravating. It makes yo uthink the voice boards are going to blow at some point. Perhaps it might be a good idea to disable the subosc in Sync mode. It's a bigt of a problem with sync sounds because you're ususally doing something weird with Osc 1's frequency like putting the LFO to it or whacking it about using the filter envelope in Poly Mod and then slaving it to Osc 2 to snap it to re-start every time Osc 2 cycles - then the subosc is a bit conflicted perhaps. In Sync mode, it would be ideal to have the subosc slave directly to Osc 2 which will be behaving "sensibly" throughout. I suppose one could use this fault as a musical feature to create some weird sounds.
I did make quite a study on Sunday on what the Prophet-6's subosc does (by the way it is OS 1.4.0). Of course, that's a triangle as I understand, not a square so maybe that's why it behaves differently from the OB-6. I didn't find any really anomalous behaviour of the P6 subosc and maybe that's because it is a triangle? Anyway, what I found on several Sync patches was that the subosc in non Sync mode is always an octave below Osc 1 (of course) but on the same patch in SYNC mode, still plays consistently across the voices EITHER an actave below Osc 1 (now slaved to Osc 2 in Sync) or in unison with Osc 1, so if for some reason the Sub Osc volume is brought up it just thickens the sound one way or another. So that's why I was a bit taken aback by the difference with the OB6.
https://www.youtube.com/watch?v=UkfT2XcyNuISequential Prophet-6 Normal behaviour of suboscillator in SYNC mode
Long video, rambles a bit. I have no editorial control. P6 bahaves OK on sync patches such as
Patches 932/432 and also 427 and 421. These are three of the old P-5 patches.
I confused myself a bit while I was talking - but on patch 421 the subosc aseems to play in unison in sync mode but with a more bassy tone because it's a triangle with fewer high harmonics than Oscs 1 & 2 generally.
https://www.youtube.com/watch?v=JiIKWg0-XQAPatch 932: P6 behaves fine in Sync and non-sync modes.
2. P6 and OB6 arpeggiators:
The OB-6 does not allow me to play the same note on Assign mode a second time. This is a real nuisance in my view. Sequential tech tell me this is normal, so why will my Prophet-6 (OS 1.4.0) do it and the OB-6 (newer OS 1.5.5) wont?
Even an 8 note groove can contain the same note a second time (check out Duran Duran "Save a Prayer" e.g. A B C E G E G E) - and not being able to do it is unnecessarily restrictive.
I have had a great time on my P6 in Assign mode chopping and changing the arpeggiator riffs at will playing whatever I want, subject ot the 32 note limit in Assign mode and I can't on the OB6 and it's not use saying "use the sequencer instead" because you can't simply change notes on the fly with the sequencer - you have to re-record.
Mathematically you can see how this resricts musical possibilities.
Being able to play any note on the keyboard (49 notes) over a 32 note sequence gives 45^32= 7.99 E+52 permutations
Not playing any note a second time gives you
9.5 E+46 combinations.
That takes away 99.99988% of the possibilities!
https://www.youtube.com/watch?v=LG7F7RpbWZ0Sequential OB-6 analog arpeggiator and sub oscillator "anomalies" with respect to Prophet-6. (In this case P-6 is recorded and OB6 is played live.)
I would personally guess these are inconsistences in the way the P6 system translated over onto its sister synth the OB6 with the different (SEM) voice boards, since the sub oscillator on the OB6 is a SQUARE and the P6 is a TRIANGLE, maybe this has caused the sub-osc issue in Osc sync mode?