Absolutely. I generally don't like the whole Carlos business and never cared for the Switched-On variety. To my ears, classical music sounds best by far on traditional instruments. But Richard has a different approach. He doesn't use a wide palette of synthesizer tones; he's not trying to impress others or show off an instrument, but has developed a small assortment of patches that sound so effective and not very electronic. I especially like that warm swelling and falling sawtooth patch that he artfully controls with a device. His music provides a good argument for multi-tracking, since he effectively alters the dynamics of each voice just like a violinist.