I admit, with my interest in the Prophet 10, I have ZERO interest in recreating any vintage songs/tracks that used voice stealing to 'good effect'. I'm not a fan of voice stealing in general and can think of only ONE of my own songs where it WAS used to good effect (on an ratty old MS2000 VA with 4 voice poly where it may not have sounded the same with 8.. or 10 voices). In fact I have zero interest in re-creating ANY famous P5 patches/songs/covers...I want a P10 for NEW sounds for my OWN music, and there I do not want poly limits killing things.
However, the case of using something due to limitations and making the best of it (P5 in the past) still applies to P10, it's a different thing with the luxury of NOT having to have voices stolen so obviously and that is more desirable for me by a long shot. Also 6 voices are minimum for me really, the MS2000 and previous JD-XA (4 voices) drove me mad as I'm a 'player'. 6 voice synths have never been a problem even with voice stealing but still not ideal, 5 is a bridge too far imo.
Having sold all my other sequentials (Prophet 6, OB-6 and '08 Rev 2) I'm gonna grab a Prophet 10 to go with my Prologue 16 and have gotten used to having the polyphony there when I need it, esp as someone who plays 4,5 note chords a lot and would like to go from one to the next without an immediate and ugly voice cut off (sure it has its places but few and far between vs the more natural high poly). 10 voices is an ideal number for me, love that they made the 10 and it feels like the 'real' upgrade to this 2020 model/rev 4 is the voice count in a P5 format with reliability. Obviously the 2 filter choices are also a massive bonus. But a 10 voice prophet 5 with extras that looks and feels pretty much the same as the legend is a dream come true for many of us!
Part of me originally wished for a voice cut switch to mimic the legendary P5, but in all honesty, once I was over that novelty i'd prob never use it again and stick to 10 voices which just feels natural, playable and musical.