I've spent a fair amount of time with the Rytm lately. I had the MKI since day one and am now on the MKII. I spent a lot of time ignoring the Rytm as I was always really happy with the Tempest and favored it for live performance with my group. When the pandemic hit and I found myself with more solitary time to dig into gear. I decided to focus exclusively on the analog synthesis side of the Rytm. While trying to emulate other analog gear, I've really grown to love the sound design capabilities of the Rytm. Many of the sweet spots are hidden in subtle use of the filters, envelope, LFO and overdrive. It's a great machine. The Rytm MKII pads are much better than the MKI but are not as sensitive as the Tempest. Repairing equipment through the Elektron US service center was extremely slow, but in the end they went above and beyond to make things right for me. Indeed, the parameter lock system is really nice. The most recent updates to probability have made it even better. I'd say that the Rytm is the ideal machine to get a nice beat going that can have organic fluctuation to it and can be programed to remain interesting over time. It's the perfect machine to accompany other synth and music activity. The Tempest is the ideal machine to create beats and manipulate sounds in real time. It is the perfect machine for a percussionist to perform live with. As a true instrument, it must be played.