Hi guys,
I still haven't purchased because I'm waiting for my gear to sell, and was also waiting to see if there was a new DSI synth at NAMM that I'm after.
And I still haven't decided - I keep flipping between them. At the moment, I favour the Prophet-6, in about two hours more of YouTube watching, I'll probably switch to the OB-6!
Most of the artists I like and want the sounds of - early 80s British new wave artists - used more of the Prophet-5 kind of sound. Sure there are exceptions, always.
The Oberheim sound, to me, was always a very 'American' sound, and all the demos are backing that up for me.
So, the OB-6 seems to sound more 'vintage' out the box, which is what I want, but my brain is telling me that it's more of an American 80s sound, rather than the British sound I'm after, which I think might be more suited to a Prophet-6.
In all honesty, there's just something about the 'Prophet' name which pulls me, but on all these forums (well maybe not this one!) there seems to be a huge majority of people who prefer the OB-6.
Yes, I realise it's the person not the gear and would be happy with either, but it's such a big investment for me, I've researched it to death!
Anyway, I'm enjoying reading everyone's views on this thread/forum, both are fantastic synths!
Cheers,
Ed
I have both in case you have some questions.
I wasn't a big fan of fake brass sounds notorious to oberheim. But, I bought the OB6 anyway to see if it could fit in with the P6 and other synths.
The demos online really only touch the vintage Oberheim sounds. There arent a lot of examples showing what else can be done with it, which is massive.
I am a Prophet guy. I have always been (soundtracks, new wave, goth music, etc). The cold and dark sound of the prophet has always been alluring.
With that said:
I have had
three(3) faulty P6s in a row. I'm returning the last one and not replacing it again. It's infuriating for the money to have something so dodgy.
I don't care if someone replies and says they've had zero issues, I have...3 times. So has a local studio (returning their second). A support rep at a well respected pro audio retailer (that I use) said they've had more returns with the P6s lately, as well, as I tried to see what we could do (last case being a faulty keybed).
It is what it is. Maybe they are already on a new run of great P6s. I don't know. These (at least mine) were serials around 4,000 to 4,200. I considered looking for an older serial, but with Rev2 coming out, I'll just wait.
The OB6, however, had an extremely sturdy build quality (knobs are beefy and don't wobble at all, thicker top coat). Sonically they aren't that similar when you consider the Ob's amazing SEM filter and extra mod possibilities.
Learning how to program the OB out of the 80s was a challenge, but it serves a nice palette of sounds. Keep in mind demos are usually overdriving the filter for harmonics. Keeping the OSC at 1/2 will be similar to output volume of P6. Once you pull back the OSC gain, you are in a close Prophet territory.
I am not a fan of the square sub octave (it's only usable in the top half range of octaves), but it's not always needed. The P6 triangle sub is great, and can be used throughout most ranges. Square subs are very limiting to brassy/noisy tones, but they work perfect in those tones needed.
I'm holding out on my P6 needs for the Rev2. I'd recommend listening to samples on SoundCloud. It's cheaper and only real difference (as a negative) is digitally controlled oscillators vs voltage controlled of P6. Add some slop and you'll be in P6 territory.
You don't have to take my advice, but I recommend considering it from a P5/P6 lover and user over the years (P5).