One question: In some programs the filter env amount is set to zero without an lfo or any other source opening it up, while for example, the filter env attack is set to a value. Why is this? Does this still have some effect? Or does key amount activate the filter env?
I'm afraid I'm not the best person to answer the question in depth. If you start from a basic patch, then reduce the cut-off frequency until you get a somewhat muffled sound, you can turn the env amount button and hear the influence it has on the tone. By playing with the velocity knob you can make the filter open more as you play louder. Key amount is more about making the filter open more as you play higher notes. By adjusting the env amount you can regulate more the overall level. I think of the env amount as a kind of "gain" for the filter envelope if that makes any sense. By making the env amount negative, you flip the filter envelope upside down. Not claiming that my insights are 100% correct or >1% illuminating. When it comes to sound design, I'm really a total n00b. I've made the book as an aid in my quest for insight, but I've noticed I tend to prefer playing, composing and improvising over sound design, so I haven't really made enough progress in that area yet. Some day I'm sure I'll get to it
Or are these errors in your book?
That's possible too of course! You can easily verify it for yourself by selecting the patch you are examining, then turn the knob you want to know the preset value of, then press the "compare" button. The preset number should appear when the compare button is activated and display the currently configured value again when you deactivate the compare button.
If you do find errors, please be sure to report them.
It's a lot of information to proof-read for occasional errors
Thanks Again for the work you have put in this, it's been a great help!
You're welcome! I wish I could complement it with deep insights about sound design, but I haven't reached that level (or any level, really) of proficiency yet.