But yeah, Moog do charge a bit too much for what their products.
That has certainly been what I have thought over the history of Moog, but I am starting to change my mind about that a little.
Take the Moog One for example. The 16 voice runs you $530 per analogue voice — that’s if you don’t have a relationship with a dealer and I can get a bit of a discount (most people do and can). That “per voice” cost (while certainly more expensive than a Rev 2 or Prologue) is in line with OB-6 / P6. Yet the Moog One offers a lot that the OB-6 / P6 doesn’t — more LFOs, envelopes, a very comprehensive mod matrix, 61 keys in a keybed that is second to none... it’s a “whole is greater than the sum of the parts” argument. I’m not knocking the OB-6 or P6, not at all — they are both stellar. But for what it does, the Moog One is priced about right for 16 analogue voices.
As for the Matriarch... similar statement. While it doesn’t have a mod matrix or presets, 4 OSCs, 2 LFOs, 2 envelopes... and THAT sound. It just has that sound that no other mono synth that I’ve had my hands on can produce. I haven’t played the Pro 3, and I’m sure it’s stellar. But the Matriarch is in the same range ($100 cheaper than the SE). I see them as very different creatures — I believe most synthesists would.
Anyway, I’ve had a couple Scotchs.... so I hope I’m coherent. But the Matriarch produces a tone that can be warm, beefy, creamy... that Moog tone in the past (Voyager, Model D) would have cost you more.