I have personally been looking at Tempest maintenance as an exam for DSI on how they handle their long term product maintenance. And well, the exam is in writing so it will be a while before the marks are in. But I think quite a few of us have a clear feeling of the direction its heading.
Tempest is of cause a little special because it was a project that was honestly at the edge of what they had resources to make. That is probably the reason why they decided to stop now: lack of resources. But no matter what it can easily develop into a PR disaster for DSI as people knowing of this will think: "Can we trust that our software quality problems with our instruments will actually be fixed!?"
Looking forward there are a number of lessons to be learned. First of all for DSI to make machines they are sure they can make and maintain well. Secondly instead of DSI making a new drum machine it would be much smarter to make a multi-timbral module that can be sequenced from either a DAW or a hardware sequencer. Thirdly DSI customers can benefit from testing their use cases for their synthesizers before buying them.
Going back to the initial BoomChik/LinnDrumII design concepts there were voice architecture ideas on the board that could very well be worth exploring in a new product. Think dual use drum synthesis and polyphonic duties. Features like very fast envelope times and AD modes would be great to have. Tetra style poly and voice-per-channel multi modes would be perfect to see in a new product.
Anyway, its time for popcorn!
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