Got another one based on a recent thread about stereo delay!

An option to enable ping-pong when stereo mode is enabled. Not everyone will want ping-pong all the time, but some will. Many will.

Also... whether or not this is based on precedent, I think it's sort of antiquated to force the performer to manually switch from mono to stereo when choosing to use both outputs. My mid-2000s Alesis Micron, among a thousand other brands & makes of synthesizer, features auto-stereo by plugging something into the right channel. Also that Cathedral pedal, pretty old and also tiny. Idunno if soldering has to happen to enable that, but it really shouldn't. Let's get this puppy up to date.

Glad you got it sorted!

Korg's original plan to issue the ARP 2600M seems to have included a keyboard much like that of the FS.  It's unfortunate that this keyboard was replaced by the cheap one they offer now.  As a result, you have to patch in such fundamental functions as vibrato and even portamento.  Also, the oscillators are less stable than those of the Odyssey.  In some ways, the Odyssey is a better synthesizer.

Thanks Mike. I thought that was for each modulation, maybe I need to do more than skim read the manual. I may be back! 😀

EDIT: Came back, I completely see what you meant now and that helped very much. Can’t thank you enough. Using the select knob to choose source and destination and the same for LFO.

All the best,

Steve

Well I saw the PCM sample list....incredibly poor selection. To the point I think I may skip this.

I'm going to wait until I really know this synth reasonably well before posting an opinion, other than to say first impressions are great and what I had hoped it would be... but I did want to comment on the PCM model and and the samples available.  While there isn't a huge number of them, it may be less of an issue than it may seem on paper, because a PCM part consists of up to 4 oscillators, and with a sample loaded in each one, you quickly find yourself using the 4 mixer sliders to combine those sounds in different ways to come up with new tones.

This, of course, isn't going to satisfy if looking for it to be a heavy duty ROMpler or provide a good selection of acoustic samples... but it does mean that the variety of tones you can get out of the PCM model is much more vast than might be portrayed just by looking at the sample list, because of all the tone combination possibilities, which are multiplied using the mix levels... and that doesn't even take into consideration the bewildering number of FX which can modify the tone further.