I'm not positive about this, but it appears that the Amp envelope is still triggered when in MPE mode. In the case of the Osmose, it's the finger vertical motion (channel pressure?) that "generates" the envelope shape. I find hard to replicate the same sensitivity in the Trigon, but probably I'm missing something.

In the video here below, Josh and Anthony show what’s needed to make synths behave better under MPE. Their solution is a “gate which fires the envelope generators” (check at around 8:00 and following):



The synths in this video are modular, so I guess in the case of Trigon, Sequential would have to code this on their side as a sort of EG trigger/gate parameter.

Btw, Osmose’s sound generator (EaganMatrix, also a modular synth) does not only derive the envelope shape and duration from the fingers but also from programmed envelopes baked into the presets. I guess the idea is similar to the demonstration in the above video, even though the implementation might be very different in the EM.

Hi!
I am having issues with my new P6 module not sending any MIDI info to logic when recording.(Logic Pro X) I can hear the synth and when i record an audio track, it records the audio, but no MIDI is written on the external synth track. I also am using my OB-6 as the MIDI controller.

My setup is the P6>Audio Outs to interface> MIDI IN from P6> MIDI out to OB-6.
 I have also tried connecting the USB from OB-6 as well as the P6 to the iMac as well.

Now if i change some settings in the globals, it will write MIDI but then there is no audio.

Can someone please help?  Thanks! MT

The program level knob controls the volume individually for each patch. 
I would then have to re-save all patches with a level that is too “hot”.
The 500 factory ROM patches would be left out.
That can't be the solution.

I am looking for a limitation of the maximum level.
This is not a problem or shortcoming of the Prophet 6, but the problem lies in the lack of input gain control of the Specular Tempus.
That's why I'm thinking of patch cables with an integrated -10db pad.

Compressor / limiter pedal between the synth and reverb pedal?

Have you tried using the program level knob?

So how does one do that? The manual says it's possible and the file needs to be in sysex format, but it doesn't elaborate on how it's done. Can anyone chime in?