The Official Sequential/Oberheim Forum
SEQUENTIAL/DSI => Prophet => Prophet '08 => Topic started by: Jason on December 11, 2015, 05:40:25 AM
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I noticed in one of StarskyCarr's videos that he detuned by adjusting just the second oscillator (keeping the first oscillator at 0 I believe), while what I had been doing was detuning each oscillator equal amounts (e.g., the first to 3 and the second to -3). Is there a preferred way of doing this? Another valuable thing I noticed was how to detune in stacked mode, which is very helpful. If detuning this way, is it advisable to keep the regular oscillator fine tuning at 0 or do you usually detune there as well?
Thanks.
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Your method of tuning is actually better, in that the instrument is kept closer to standard A 440 pitch. That's especially helpful if you're playing with other musicians. But if you work alone, leaving the main oscillator at 0 and tuning the others either up or down is easier and save time.
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Interesting point... If the oscillators are a different levels I tend to keep the main one at O, so the root is loudest. At such small increments it's probably not an issue, but detuning both ie -3,+3 instead of 0, 6 is probably better if the voices are the same volume.
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Any opinions on the second question? When detuned in stacked mode, do you usually keep the regular oscillator fine tuning at 0 or do you tend to detune there as well?
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Ideally, it's always best to follow the method of + and -, rather than only +. In stack mode, I'm often detuning a width of twelve digits. This is obviously necessary for string patches. So, I follow the method of keeping everything as close as possible to "0," so that I'm tuning in the +6 and -6 range, rather than the +12 range. This makes sense even if you don't play in an ensemble but alone, since it will help to keep the one synthesizer in tune with your other instruments.